Monday, December 23, 2019
Close Reading of Middleton and Rowleys The Changeling Essay
Within Middleton and Rowleyââ¬â¢s The Changeling the selective use of language accentuates various ideas and notions, demonstrating the capability words have in manipulating perceptions. It is the strategic placement of double-entendres on behalf of DeFlores that greatly affect consequences, as disguising his lustful intents as honesty aids in the damnation of himself and Beatrice. Although deceiving in nature only to Beatrice, through the insertion of asides, only the audience remains knowledgeable of these entendres, causing troublesome irony. Furthermore, it is the manipulation of language that really accentuates the effects of Beatriceââ¬â¢s ignorentia, causing her to descend the social order, and, incite her objectification. Hence, it isâ⬠¦show more contentâ⬠¦This misunderstanding later eventuates in a form of rhetorical irony, as Beatrice ignorance misled her into understanding ââ¬Ëemployedââ¬â¢ equated to DeFlores being after monetary reward, but it is reve aled ââ¬Å"[DeFlores] place[s] wealth after the heels of pleasureâ⬠(3.4.116) ââ¬â which, unlike Beatrice, is a notion the audience is never deceived to misinterpret. The metaphor created by the word choice of ââ¬Ëheelsââ¬â¢ personifies the concept of pleasure as a bodily figure, dominating DeFloresââ¬â¢ hierarchy of needs, with wealth a lowly necessity ââ¬â wealth figuratively dragging along the ground behind Pleasureââ¬â¢s heels, thus nullifying its value. This manipulative use of language is commented upon by Kistner and Kistner who notes that the multiple meanings and metaphorics are ââ¬Å"organizational devices [for the] verbal structure, consisting of the repetition of words an concepts with various meaning to reflect and develop themesâ⬠¦repetition of blood, service, sweetnessâ⬠¦cast shafts of light onto the meanings of the playâ⬠¦an indication of complexity of The Changelingââ¬â¢s verbal structuresâ⬠(42) and are done so ââ¬Å "through an elaborate system of double entendreâ⬠(42). This is definitely
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